Allegro Solemne (from La Catedral) - Agustin Barrios Mangore
performed by William Yelverton
Lullaby Blue - Christopher Berg
performed by William Yelverton
MP3 files from Harpsichord Music on Guitar
performed by William Yelverton
J.P. Rameau -
Gavotte et Doubles
French Suite No. 6 BWV 817 - J.S. Bach:
Allemande
Bouree
Gigue
Suite in D minor - G.F. Handel
Overture
Courante
MP3 files from live performance -
William Yelverton, Guitar
Milonga del Angel - A. Piazzolla
Verano Porteno
Tango en Skai - Roland Dyens
William Yelverton - Concerto soloist with the Tennessee Philharmonic
Concierto para un Gentilhombre- J. Rodrigo
Danza de las Haches (you tube video)
William Yelverton - Concerto soloist with the Tennessee Philharmonic
Concierto para un Gentilhombre- J. Rodrigo
Canario (you tube video)
William Yelverton - Concerto soloist with the Tennessee Philharmonic
Concierto para un Gentilhombre- J. Rodrigo
Españoleta (you tube video)
Gavotte and Six Doubles - Jean Phillipe Rameau, transcribed for guitar by William Yelverton
On CD "Harpsichord Music on Guitar" - William Yelverton, solo guitar
Real Player file, click link below:
Gavotte et Doubles
Monsieur's Almain - Daniel Batchelor
Recorded Live in concert, performed by William Yelverton on Renaissance Lute
Real Player file, click link below:
Monsieurs Almaine
Verano Porteno - Astor Piazzolla
Recorded Live in concert, performed by William Yelverton
Allegro -J.S. Bach (from Prelude, Fuge and Allegro BWV 998)
Performed live in concert - William Yelverton, solo guitar
Real Player file, click link below:
Allegro - Bach BWV 998
William Yelverton - Concerto soloist with the Black Sea Philharmonic
Cumberland Concerto for Guitar and Strings
by Roger Hudson
performed by William Yelverton, guitar soloist with the Black Sea Philharmonic Orchestra, Constanta, Romania
Commissioned by and dedicated to Dr. William Yelverton, the Cumberland
Concerto for Guitar and Strings was organized conceptually in the spirit of
the widely performed Vivaldi Lute Concertos. Like Vivaldi, Hudson has
organized the concerto into three brief fast- slow- fast movements.
Consequently, the composer’s basic intentions in his first concerto were for
practicality and folk-like melodic alacrity. Stylistically the piece
possesses a natural simplicity stressing the rural rather than the urban.
Movement I - "Fiddle Tune"
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